Playing with paper. August 2017.

Playing with paper.

August 2017.

 
More ideas and sketches. August 2017.

More ideas and sketches.

August 2017.

 
At the opening of the QLD State Archives' Stories From the Windmill exhibition. Turn right at my collage work in the event of an emergency. July 2017.

At the opening of the QLD State Archives' Stories From the Windmill exhibition. Turn right at my collage work in the event of an emergency.

July 2017.

 
Some new territory, creating a design for a possum skin cloak patch for the Museum of Brisbane. Facilitated by the wonderful Carol McGregor. June 2017.

Some new territory, creating a design for a possum skin cloak patch for the Museum of Brisbane. Facilitated by the wonderful Carol McGregor.

June 2017.

 
What a privilege and honour to be working with Judy Watson on a Brisbane public art installation. Spending the day working alongside her and other strong Indigenous women was a very rich experience. Looking forward to many more. June 2017.

What a privilege and honour to be working with Judy Watson on a Brisbane public art installation. Spending the day working alongside her and other strong Indigenous women was a very rich experience. Looking forward to many more.

June 2017.

 
The beginnings of a collage project for the QLD State Archives. Working with old photos is a very tangible way to processes my place in the physical and cultural past. I'll be photographing glass plate transfers in situ to bring this one together. The site of the Old Windmill at Springhill has a sordid history and a bodeful air - definitely worth some contemplation. June 2017.

The beginnings of a collage project for the QLD State Archives. Working with old photos is a very tangible way to processes my place in the physical and cultural past. I'll be photographing glass plate transfers in situ to bring this one together. The site of the Old Windmill at Springhill has a sordid history and a bodeful air - definitely worth some contemplation.

June 2017.

 
A new kind of collaboration. Currently devising a one year, self-directed residency through ARIM. September 2016.

A new kind of collaboration. Currently devising a one year, self-directed residency through ARIM.

September 2016.

 
Experimenting with text. Spontaneous thoughts and memories and their relationship to an image. Not sure where it's going to end up, just yet. February 2016.

Experimenting with text. Spontaneous thoughts and memories and their relationship to an image. Not sure where it's going to end up, just yet.

February 2016.

 
Had a great time helping Amy Spiers & Catherine Ryan with their work No More Public Space, Only Public Order (Water Cannon). Now parked in Salamanca Arts as part of MONA FOMA. January 2016.

Had a great time helping Amy Spiers & Catherine Ryan with their work No More Public Space, Only Public Order (Water Cannon). Now parked in Salamanca Arts as part of MONA FOMA.

January 2016.

 
 
More works in progress. January 2016.

More works in progress.

January 2016.

 
Very excited to be a part of the SITUATE Art in Festivals arts lab in Hobart. Time to get the winter woollies out (even though it's summer) and let the brain out of the box. January 2016

Very excited to be a part of the SITUATE Art in Festivals arts lab in Hobart. Time to get the winter woollies out (even though it's summer) and let the brain out of the box.

January 2016

 
On the Nature of the Familiar Exhibition @ The Woolloongabba Art Gallery. June 2015.

On the Nature of the Familiar Exhibition @ The Woolloongabba Art Gallery.

June 2015.